谢灵运山水诗特点谢灵运所开创的山水诗，把自然界的美景引进诗中，使山水成为独立的审美对象。他的创作，不仅把诗歌从淡乎寡味的玄理中解放了出来，而且加强了诗歌的艺术技巧和表现力，并影响了一代诗风。这些诗歌在艺术上大致有以下几方面的特点：第一、精工富艳的风格。谢灵运诗歌给人印象最深的是意象密集，对偶句多，语言深奥典雅，从而在整体上形成富艳精工的风格。谢灵运习惯运用移换形之法，将其所见收入诗中，对景物作全景式的铺陈，从而形成了他繁富的特点。第二、生动细腻的景物刻画。谢灵运诗虽就整体而言颇有雕琢繁芜之感，但就描写刻画自然美而言，却常给人生动细腻之感。其诗在写景上，主要表现为对声色的追求。对于色的表现，如《入彭蠡湖》中“春晚绿野秀，岩高白云屯”，作者没有涂抹万紫千红，只用绿野作底色，白云作点缀，抓住春天那充满阳光，洋溢着生命力的特点，构成了一幅素净柔和的图画。对于声的描绘，如《石门岩上宿》“鸟鸣识夜栖，木落知风发”，以动衬静，写夜晚深沉，鸟鸣声、落叶声格外清越。这种对声色的描绘，反映出诗歌创作上的一种新的趋向，对后代诗人创作影响很大。就此而言，谢灵运可以说是诗歌创作新时代的开创者。第三、结构上的程式化特点。谢灵运诗歌从整体结构而言，往往先作出游，次写见闻，末尾谈玄说理，拖着一个玄言的尾巴

See in the poem, the scenery is laid out in a panoramic way, thus forming his rich characteristics. Second, vivid and delicate scenery. Although Xie Lingyun's poems have a sense of carving and complexity on the whole, they often give people a vivid and delicate feeling in terms of describing and depicting natural beauty. In writing scenery, his poems are mainly manifested in the pursuit of sound and color. As for the performance of colors, such as " Green Wild Show in Spring Festival Evening, High Rock Baiyun Tun" in " Entering Pengmost Lake", the author did not smear a riot of colour, but only used green fields as the background color and white clouds as embellishment, grasping the characteristics of spring full of sunshine and vitality, forming a plain and soft picture. The description of sound, such as " Stay on Shimen Rock" and " Bird Singing Knows Night Habits, Wood Falls Know the Wind", is written with moving quietness, and the night is deep, and the sound of birds singing and fallen leaves is particularly clear. This description of sound and color reflects a new trend in poetry creation and has a great influence on the creation of future generations of poets. For that matter